The Studio

Screaming Kids Studios is located in Brighton, MI, featuring both analog and digital tools. Making music is the driving force, and the focus is on getting a big sound in an intimate setting. You don't need a million dollar studio anymore; just some decent gear, and a great set of ears.

If you need a break, take a short walk to the lake, swim in the pool, or play some PS4 / PS5 / Nintendo Switch.

Or I can pack things up and come to you...

The Gear

    • AER Compact 60/2 Acoustic Amp

    • Boss Katana MKII 100 Watt Head

    • Synergy SYN30 Combo - with changing amp modules (Friedman BE,Bogner Ecstasy, Dumble)

    • Roland KC550 Keyboard Amp

    • Gallien Krueger 700RB 2×10 Bass Combo

    • 3rd Power Triangle 3x12 cab

    • Gallant Sound Idol 2x12 cab

    • Mac Studio M2 Ultra - 128 GB RAM, 16 Performance Cores, 8 Efficiency Cores

    • 50” Samsung Display

    • Pro Tools 2024

    • Logic Pro 11

    • GarageBand

    • Studio One

    • Luna

    • Yamaha Drumset with Evans heads

    • Ovation Legend Acoustic in Nashville High Tuning

    • D'Angelico Acoustic Guitar

    • Fender Strat (with synth pickup)

    • Fender Telecaster

    • Firefly Zakk Wylde Bullseye Single Cut

    • FJN Baritone

    • Gibson Les Paul

    • Gibson SG

    • Harley Benton Dullahan Headless

    • Hofner Jazzica

    • Kala Ukulele Bass (Acoustic Fretless)

    • Kala Ukulele Bass (Acoustic w/ Frets)

    • Kala Ukulele Bass (Solid Body Electric)

    • Paul Reed Smith Pink Custom 24

    • Prestige NYS Semi-Hollow

    • Prestige Heritage Custom Single Cut

    • Relish Mary One (pickup swapping guitar)

    • Ernie Ball Short Scale Bass and Upright Bass

    • Mandolin

    • Bouzouki

    • Ukulele

    • Banjo

    • Upright Piano

    • Alto Saxophone

    • Trumpet

    • Violin

    • Behringer DeepMind 12 Synth

    • Akai MPK 249 II (Midi Controller)

    • Universal Audio X4 + Octo Satellite

    • Universal Audio Arrow

    • Presonus StudioLive 32SC (up to 32 live tracks at once, 5 separate stereo mixes)

    • Presonus XSB16.8 Snake into Drum Room

    • Apogee Duet

    • Shure SM7B

    • Shure KSM9

    • Shure Beta 57

    • Shure SM-57

    • Shure SM-58

    • Shure KSM313 Ribbon

    • AEA KU5A (Ribbon Mic)

    • AEA R88A (Stereo Ribbon Mic)

    • Blue Kiwi

    • Universal Audio SD1 - with Hemisphere modeling

    • Universal Audio SC1 - with Hemisphere modeling

    • Slate ML1 - with mic modeling

    • Sennheiser Vocal

    • Sennheiser Kick

    • sE Electronics v7x

    • sE Electronics X

    • sE Electronics Titan

    • Lewitt Audio 140 Stereo Pair Small Diaphragm Condenser

    • Adam Audio A7X

    • Mackie MR-5

    • Presonus Temblor Subwoofer

    • QSC PA - K12

    • QSC PA - K10.2

    • QSC PA - Sub K112

    • Sony MDR-7506 Studio Monitor Headphones

    • BeyerDynamic DT 770 Pro Headphones

    • Audio Technica ATH-MX50WH (white) Headphones

    • Slate VSX Platinum Edition Headphones with Virtual Rooms

    • Art Pro 6 Channel Headphone Amp

    • SoundID Reference

    • Soyuz Lakeside Preamp

    • Cloudlifter (mic phantom power convertor)

    • Presonus M80 Mic Summoning

    • Art Pro MPA II (vocal preamp)

    • PreSonus Acousti-Q (instrument preamp)

    • RavenLabs (vocal / instrument blend preamp)

    • Kemper Profiler Toaster (Powered)

    • Kemper Profiler Player

    • Neural DSP Quad Cortex

    • Neural DSP Quad Cortex Nano

    • Eventide H9 Max

    • Science Amplification Mother Preamp

    • Universal Audio Plugins (UA, Neve, Manley, Friedman, etc)

    • WAVES Plugins

    • Slate Digital Audio Plugins

    • Joey Sturgis Audio Plugins

    • Native Instruments Plugins

    • Native Instruments Kontakt

    • IK Multimedia (Amplitube, TRacks)

    • AltiVerb 7 Reverb

    • Arturia Synths

    • Mainstage

    • Applied Acoustics

    • Spitfire Audio

    • Roland

    • ToonTrack Superior Drummer 3

    • ToonTrack EZ Drummer 3

    • XLN Addictive Drummer

    • Neural DSP Amp Simulations

Studio Projects

Past Projects

  • I hope to showcase some of my original music. I am manic at times with my originals, often moving onto the next before one gets completed. I have a lot of song ideas, love many different genres of music, and want to get my ideas down before they are gone. I'm not trying to become famous or get a record deal. I simply enjoy the creative process of playing / recording music. I play everything on each song unless noted.

    Listen

  • I played guitar in The Classics / Swing Shift / Bel-Airs / and bass for the Stardust Big Band, from approximately 2005-2008. These songs were recorded live around 2008, either at a show or in Jim's basement rehearsal space. Funny note: I left amicably, but have to laugh that they Photoshop'd me out of the below pic on their website.

    Listen

  • I played guitar in the cover band Hook'd from approximately 2010-2011. We were just getting going and I left for tours with Dragon Wagon. I really loved my time in this band. No egos. Great musicians. Fun!

    Listen

  • I played bass (electric, ukulele and upright) in DW from 2011-2013. We recorded one album, which was released July 13, 2012, and toured all over the midwest, with frequent stops in the Upper Peninsula as well as New York. I met a lot of great musicians / bands, and even learned to enjoy putting up a tent anywhere from someone's backyard to a sold out music festival.

    Listen

  • I played guitar in The DKB (Dan Kesterke Band), starting in approximately 2012 until 2019. This was a bunch of theater orchestra pit friends who got together to play a handful of shows a year. 

    Listen

  • I met these boys while playing in the orchestra pit for Rocky Horror, which lead to me recording their first album with a mobile setup. We would discuss joining forces, and in 2013, at the Roostertail, it happened. I played guitar and ran sound, so I thought I'd record it. Next thing you know, I'm a brother, in the band, and working on the new album, One More Empty Grave, which came out October 28, 2016. We don't play many live shows, maybe 1-2 a year. The group ended in 2020 with everyone wanting to work on different projects.

    Listen

  • I played guitar for the Eastside Jazz Collective, starting in 2017 until I took a sabbatical in 2023, that I never returned from. The group went on without guitar, and disbanded in 2024. This entire endeavor was chill based on the people in the group. We played 2-4 times a month, with some months / time off when our schedules conflict because everyone in the group does musical theater productions. Many times, we're working together there so can't book the EJC.

    Listen

  • I played guitar for The New Normals. The group formed in 2017. After just getting started, we had one quick rehearsal / recording session. Nobody pursued gigs or really pushed for this to happen, and in 2018 it fizzled out without a lead singer or any gigs.

    Listen

  • I ghost recorded the music in my home studio, doing all the instruments, production, mixing, lyric edits, artwork / graphics, etc from 2020-2021. 

    Due to Covid & social distancing, I'd record everything, send him the track, he'd put vocals down, and send back. From there, I'd adjust his track, apply eq & effects, etc, and mix the song out adding my own vocals for harmonies and extra space.

    Listen

  • I play guitar in the band for Maggie Rhodes. I started in 2022. This is a spin off of the Eastside Jazz Collective, same drums, keys & guitar - with a different bass player and singer. This group is cool because all the songs chosen are female artists, so our entire show is supporting women in music.

    Listen

  • I played guitar on Sundays for a worship band. Starting in March 2013 with a Good Friday & Easter service, I got put into the main rotation by May of 2013, and played every Sunday until June 2015, but am now in more of a rotation at various places, and enjoy getting to work with so many different groups of people, using electric, acoustic, mandolin, and even banjo.

    Modern Christian music wasn't my first choice to listen to, but I have to admit, the guitar parts are cool, the song writing is top notch, and the layering is great. I really like the ethereal approach with synth pads, layered guitars and keyboards, and multiple vocals. I got to be distorted rock guy one song, then clean U2 delayed the next.

    I played electric guitar, acoustic guitar, mandolin, banjo, and bass. It was fun.

    Since churches are known for reverb, getting a good recording was hard. I just used my field recorder in different places, to try and give an idea of what I was doing.

    Listen

  • played in orchestra pit

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